Showing posts with label wedding photography. Show all posts
Showing posts with label wedding photography. Show all posts

Wednesday, January 04, 2017

Three FREE Things You Can Do At This Year's PhotoPro Expo 2017

Hi Everybody,David Ziser

I sure hope everyone had a happy, joyous, and peaceful holiday season.  Things are such a whirlwind this time of year so I've let the dust settle for a few days but now I want to bring you up to date on this year's PhotoPro Expo.

PhotoPro Expo 2017 is once again the best photography convention in the Midwest, near downtown Cincinnati OH and now it only costs $128.99 for all my Newsletter readers. Not bad since this beats the regular price of $159 or $179 at the door. Register Now for only $128.99 (reg $159) using PROMO CODE PPE17DPT

Now here's the latest show news!

Pre and Post Conference BONUS

Programs & Parties

-Peter Hurley's Day long class is filling up fast so check it out and reserve your seat while you can. [Details Here!]

-Suzette Allen, our Photoshop Guru, is giving away a bunch of cool stuff at her Thursday BONUS Program: [Details Here!]

  • One free Live Portrait
  • One free Triple Scoop Music song
  • One Bay Photo Product certificate
  • One year Pro Show Web subscription
  • Suzette’s Video series on PS Video Editing

-Tony Corbell, our lighting Master Extraordinaire, Thursday "Hands On" BONUS class is filling fast!

Check it out RIGHT HERE!

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Three FREE Things You Can Do At This Year's PhotoPro Expo 2017

1. Attend Blair Phillips' Thursday Night's Program entitled: Dance Your Way To Larger Profits sponsored by H&H Labs. Blair is a great speaker and a PPE favorite who always brings his infectious enthusiasm to everyone who attends his program.

2. Attend the Expo Trade Show for FREE this year! All you need to get in the door is the FREE Trade Show Pass that you can download right here!

3. Join the "LIVE" Shootout on the Trade Show floor. 

Not only will you be able to build your portfolio but if you hang around a while you will see 6 of our TOP Speakers including Peter Hurley, Tony Corbell, and Hanson Fong, doing "LIVE" DEMOS!!

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Remember, you still have time to register for

the entire show at the great price

of only $128.99 (reg $159)

using PROMO CODE PPE17DPT

 

 

We're less than 4 weeks away and we have our best line-up ever! 

Click here 

or on the banner below for all the conference details.

You really don't want to miss this year's show!

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Hey Gang,

That's it for me today. Please check out all the good things happening at this year's convention.  You won’t want to miss it. I hope to see you there!

Cheers,

David

Saturday, October 17, 2015

A Weekend To Be Remembered - The Wedding I Didn't Photograph.

Good Morning Everybody,

I know it's been quite a while since I've checked in with you at DigitalProTalk but as I sit here at the fabulously beautiful Ojai Valley Resort and Spa in Ojai, California on our patio with the soft, cool morning breezes and looking out onto the mountains kissed by the morning sun I reminisce about all my years in wedding photography.

Ojai Valley Inn

On this wonderful weekend I mark the 24th occasion of my spending time with the families whose Bar/Bat Mitzvahs and weddings I have photographed since 1999. I have been honored to photograph 23 of those 24 wonderful events but this weekend I get to "take a by" on the photography end of things.  LaDawn and I are here as invited guests of the family and what a joy it is just to spend time with the mothers and fathers of the bride and groom and their extensive extended family.

It was "bride's choice” on the photographer for the wedding but the groom's family still wanted us to part of the festivities. We could not be more pleased to accept their invitation! 

Ojai Resort2As I said, this is my 24th occasion to be with the family this weekend.  And what makes this occasion so joyful for me is the fact that I have watched most, no, nearly of the the young adults attending grow up over these past 16 years. I have photographed 5 of the weddings of whom the Bar/Bat Mitzvahs I have photographed in years past.

I'm proud of each and everyone of the siblings and cousins in this large loving family. During the speeches at the rehearsal dinner last night it was just so inspiring to see how each toast maker carried off their sentiments with humor, class, and style. Each one had indeed come of age.

We as parents all hope for our children the very best even though that parenting path is at times burdened with challenges, stress, and frustration - the norm for most, if not all parents.  But to see Tobi, Aaron, Joey, Robby, Mammie, Amy, Johnny, and all  rise to occasion of the wonderful wedding celebration brings hope, joy  and pride to all the guests looking on last evening.

Ojai wedding - IMG_5986

Before we headed back to our room, LaDawn and I visited with most of the groom’s siblings and cousins last night  just to affirm to each of them how we felt about being with them and being part of the weekend celebration. I guess I felt like the photographic uncle is so many respects having watched all 22 cousins grow up over the past 16 years. Like I said, it's been a wonderful weekend.

Later this afternoon we celebrate Johnny and Melissa's wedding and LaDawn and I can't wait to raise a glass to toast the new couple.

This wonderful profession has been extensively rewarding for me over the 50+ years since my first wedding. Those rewards have come in the way of financial and professional success. But the highest and best reward of being a photographer for so many years with loyal and supportive clients is to watch the new generation come in and begin to take charge of our world.

The feeling that's most prominent for me this weekend is that our future is in good hands.

To Johnny & Melissa, parents, siblings, cousins, friends and extended aunts & uncles,

I say "l'chaim!"

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That’s it for today.  I’ll try to get a few wedding images up tomorrow.

See ‘ya everybody.

Thanks for stopping by, David

Wednesday, March 04, 2015

My Brand New Apps Are Ready To Go At Only $1.99 each!

Good Morning Everybody,

I know I’ve been laying low for a while but  I’m writing today to get the news out about my brand new $1.99 Photography Apps!

Here is the backstory. Last year, my good friend and great photographer Rick Sammon,  asked me to be part of his Mobile Masters Group and twisted my arm to produce three wedding apps [link]. Rick is really an App Master.  I finally completed the project and they look great! Read the rest of the story on the very first set of David Ziser Apps [link] below. You're going to love them

My Brand New Apps Are Ready To Go At Only $1.99 each!

As I mentioned above, I am thrilled to be announcing my brand new Wedding Apps on Lighting, Lenses, and Composition [link].  Each App contains 25 of my favorite images per App topic along with the back story, exposure data, and lighting diagram for each image. I think you'll love them!

For years we've been offering  the Hot Shots Series available at my DigitalProTalk Market Place in a printed version. Now we can offer them at a fraction of the cost - only $1.99 each - in their new App form! The printed version was very popular years ago but technology marches on and now they are a "steal of a deal" for less than two bucks each! 

We offer three titles so far:

David Ziser's Hot Shots Lighting - Lighting creates the mood and feeling in a photograph. Learn from the master, via end-result images and lighting diagrams, how you can create images with impact though the use of lighting.

HotShots App Lighting

David Ziser's Hot Shots Lenses - Lenses help photographers tell a story - their story and the story of the subject. Learn how to use lenses - from wide to telephoto - wisely to capture the all-important, once-in-a-lifetimes event for the bride and groom.

HotShots App Lenses

David Ziser's Hot Shots - Composition - Learn how to successfully compose an image via end-result images and illustrations that explain composition techniques. Camera, lens and exposure info is included too.

HotShots App Comp

I hope you love the Apps. One more time – here is the link to the apps.

Enjoy!  David

p.s. Don't forget - LaDawn wanted me to let you know that she has marked things down again at our Digital Resource Center [link]. Get the deals - some up to 80% off - while they last as we will be closing the Digital Resource Center in this summer.

Monday, July 07, 2014

Tomorrow Night - 12 Keys to Awesome Off-Camera Flash – FREE Webcast!!!

200px - Awesome Off camera flashHey everybody - don't miss this FREE 90 minute July 8th Webcast tomorrow evening at 7:00 p.m. with award winning photographer, trainer, and author - Michael Mowbray! 
REGISTER FOR FREE RIGHT HERE!

As I mentioned a few weeks ago, PhotoPro Network is presenting an entire series of "Members Only"webcasts this year but is making this first webcast open to everybody FREE!!!

Michael is an amazing photographer who has perfected the art of lighting with his little speed-lighting gems. Check out his images here and his new Speed-lighting book "Shoot To Thrill" right here. I just picked up my Kindle copy and can't wait to get into it!

Michael Mowbray3

This "LIVE" rapid fire program is just what any photographer needs to take his/her lighting and photography beyond the competition!

FREE REGISTRATION RIGHT HERE!

I’ll be moderating the program with my good friend Paul Goodman – we both hope to see you there!

P.S.  We also have a few copies of Michael’s new book give-a-ways for our audience too!!

Wednesday, June 25, 2014

12 Keys to Awesome Off-Camera Flash – FREE Webcast!!!

200px - Awesome Off camera flashHey everybody - don't miss this FREE 90 minute July 8th Webcast with award winning photographer, trainer, and author - Michael Mowbray!

PhotoPro Network is presenting an entire series of "Members Only" webcasts this year but is making this first webcast open to everybody FREE!!!

Michael is an amazing photographer who has perfected the art of lighting with his little speed-lighting gems. Check out his images here and his new Speed-lighting book "Shoot To Thrill" right here. I just picked up my Kindle copy and can't wait to get into it!

Michael Mowbray3

This "LIVE" rapid fire program is just what any photographer needs to take his/her lighting and photography beyond the competition!

FREE REGISTRATION RIGHT HERE!

I’ll be moderating the program with my good friend Paul Goodman – we both hope to see you there!

Thursday, October 03, 2013

Shooting By The Light Of The Silvery Moon: More Budapest Images

Good Morning Everybody,

Today is our last day in Rovinj, Croatia.  We’re planning a short day trip to Porec, Croatia to check out a few of the sites then it’s back to our home away from home and packing the bags for an early departure tomorrow.  Before we head to Salzburg, Austria  I thought I’d take a chance with the internet and share with you the last day’s shoot from our Budapest Master Class. 

Shooting By The Light Of The Silvery Moon

Well, not really the moon light, but some pretty blanketed daylight.  Most of the day was overcast and the clouds were pretty thick in the sky making for a really gray (and dim) day.

The images are quite a bit different from the others I’ve posted so far from our class because today’s images are mostly made with just the available light present in the locations featured in this day’s shooting session.  I’ve got about seven favorites so lets get right to them.

Photo 1: Ballroom Dance

This first image was a quick grab shot.  The ballroom was off limits to all hotel guests because a wedding was taking place in the room in just a few short hours.  As we walked past the ballroom, I asked our model to step in so I could get a quick photo.  We quickly set up the off camera flash, posed the bride and shot away.

My only regret is that I didn’t have a wider lens on the camera.  The room was beautifully set and the wider optic would have captured the grandeur all the better.  But hey, we were going to get kicked out any second so I grabbed what I could ;~) In about 60 seconds I had the image I almost wanted.

DAZ_4404

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 28mm, 1/50 second at F6.3, ISO 800.  Lighting camera right, Canon 600 EX-RT speed-lite through my Zumbrella. 

Photo 2: Stained Glass Fantasy

I loved how the stained glass windows lined up the stairs of the hotel and had been eyeing them all week hoping to capture an image or two with one of our models.  This one is probably my favorite.

My technique is the same as what I’ve described in many photos from the week’s shoot – off camera flash through my Zumbrella and balance the light with the ambient.  I did tweak the image in Lightroom 5 for my final result.

DAZ_4430

Camera specs: Canon 5D Mark III fitted with my Sigma 12–24 mm lens at 24mm, 1/50 second at F6.3, ISO 2000.  Lighting camera right with Canon 600 EX-RT speed-lite through my Zumbrella.

Photo 3: Dancing In The Clouds

I love this image.  Or maybe it’s the fabulous bridal gown I love.  I have to say, it was the most unusual and beautiful gown I have ever seen.  It was a hit with all the other models and the class as well.

The photograph is just a simple window light image.  What I like about the composition is how I positioned the bride against the relatively plain-looking, rectangular wood paneled shapes in the background.  I had to be careful with my camera position that her profile fell in between the rectangular shapes you see on the back wall.  Had I been less careful and caught one of the shapes on her face, it would have completely distracted the viewer from my main subject. By stepping back and really using a longer focal length lens I was able to compress this mundane background into something that looked quite pleasing.DAZ_4448

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 119mm, 1/40 second at F5.6, ISO 12,800 – yep, that’s right – super high ISO. 

Photo 4: Line Dance

This is another straight available light photograph.  From the second floor of the hotel LaDawn spotted the arrangement of the outdoor furniture below and thought it might make an interesting setting for a portrait.  It looked compositional interesting to me so we went to work.  I carefully positioned Clara among the pieces of furniture till I had the composition I wanted.

Notice that the only vertical element in this image is the model.  Everything else is a diagonal line.  I think it’s that “contrast of line” that makes the image. The lines seem to frame up our subject perfectly.

The original monochromatic feel of this color image created by Clara’s black jacket and the very dark rattan furniture led me to de-saturate the image completely for an interesting black & white photograph.

DAZ_4498-3

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 135mm, 1/100 second at F5.6, ISO 3,200. 

Photo 5: Beauty Among The Ruins

This is a very simple, straightforward portrait made once again with the existing light of the scene.  The light was coming in beautifully from camera left and really defined Clara’s facial features splendidly.  Notice too that with the very broad light source how beautifully her eyes are illuminated.

Compositionally, I wanted to pick up the repeat of the architectural elements you see in the background. By positioning our subject opposite the vanishing point of those elements your eye is easily drawn directly to our lovely subject.

DAZ_4511

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 260mm, 1/100 second at F5.6, ISO 3,200. 

Photo 6: Evening Beauty

I’m wrapping this series of images with my second favorite image of the day. (My favorite was the image I posted in yesterday’s post.) This structure is right of the entrance of the Gellert Hotel. I’m told by one of the locals that it is not everybody’s favorite piece of architecture in Budapest.  It design seems incongruent with the historical surrounds of the city.  Hey, what can you say – some like it - some folks don’t. I happen to like it for this image especially.

I think it offered a very cool background for this photograph.  The sun had long since set but I was still able to pick up a little sky color with my exposure.  I like that the sky did not go deep black.

I knew I needed to add my off-camera flash – Zumbrella/speed-light combo – to get the dimensional lighting I wanted. The initial test shot needed something else though.  The subject was blending into the background too much.  I needed a back light.  And, my little speed light did the trick nicely.

The combination of center symmetry composition and by “go-to”  lighting gave me the shot I was looking for.  Hope you like it too.

DAZ_4535-2

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 28mm, 1/160 second at F5.6, ISO 400.  Lighting camera right, Canon 600 EX-RT speed-lite through my Zumbrella and Canon 600 EX-RT speed-lite pointed at the subject 12 feet away at 1/2 power.

Photo 7: Gellert Girl

This image is a variation of yesterday’s image.  I just shot it with a much wider view.  I do like how I pulled in most of the Gellert Hotel for this composition. This image is without the added backlight of yesterday’s post [link] but still looks pretty cool.

DAZ_4539

Camera specs: Canon 5D Mark III fitted with my Sigma 12–24 mm lens at 12mm, 1/25 second at F5.3, ISO 1600 Lighting camera left with Canon 600 EX-RT speed-lite through my Zumbrella.

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Hey gang, that’s it for me today.  The sun is shining bright (finally) and the air is cool.  It’s a perfect day to take another exploration around beautiful Croatia.  Check back again soon and I’ll share a few more of our travel experiences with you.

See ya’ soon, David

Wednesday, September 25, 2013

More Slovenian Travels & Budapest Master Class Update: A Day At The Opera – Part 2

Good Morning Everybody,

Yesterday we headed out to explore more of the countryside. We had heard about the quaint little town of Ptuj – pronounced pa-too-ee – I know, our letters in the US don’t sound the same in other parts of the world but with a little practice you eventually figure it out ;~)  Anyway, Ptuj is the oldest town in Slovenia and is located on the Drava River. It also is home to one of the oldest wine cellar in Slovenia dating back to 1239.  You guessed it – we had to take the 90 minute tour.

Ptuj

We also toured the Ptuj Castle as well which turned out to be quite a nice surprise with so much to see from the castle including rich historical details,  to 15th and 16th century paintings, weapons,  armor, musical instruments, and cultural costumes.  It was a very nice day in Ptuj. 

Ptuj Castle

We then discovered we were less that an hour from Zagreb, Croatia.  We decided to add a third country to our itinerary for the day.  After a few passport checks we were on our way.  Zagreb was a busy, bustling city of nearly one million people.  We also hit it during rush hour and were stuck in traffic for a while.

GafrittiThe first thing that hit LaDawn and I was the amount of graffiti painted everywhere – a real turn off for the both of us.  But in all fairness we need to give the city a second look since it is always on the recommended list of most travel guides.

We finally got back to our cottage about 6:15, just in time to enjoy the evening sunset and a glass of fine Slovenian wine.  It was a good day.

OK gang, that was the travel update.  Now let’s get on with more images and descriptions from my Master Class two weeks ago – here we go…

Budapest Master Class Update: A Day At The Opera – Part 2

0001_DPT.Opera-DAZ_2314I mentioned a few days ago that the highlight of my Master Class with my good friend Clay Blackmore was shooting at the famed Hungarian State Opera House.  Check out  A Day At The Opera – Part 1 right here.  I had so many favorite images from that day’s shoot, I decided to spread them out over two posts.  Good news – today I finally get to show you the rest of my FAVS.  I hope you enjoy them.

After shooting on the main staircase of the Opera House from about every conceivable angle, I couldn’t resist trying a few more locations.  We had three instructors working at this location – that would be Clay, Jared Platt – our Lightroom instructor who was also on board for the week, and myself. With a little exploration of the surrounds here are a few more images from the day’s session.

Photo 1: I wondered out onto the balcony to see what was happening – photographically speaking.  The street surrounds were cluttered with buildings, power lines, signs, cars, trucks, pedestrians etc.  It was mid-day direct sun-light, not the ideal lighting but often what we face on a wedding day. I did spot an area that I thought would make for a nice portrait of our Daniel Craig look-a-like male model. I’m thinking…. if I can really constrict the background and just use the windows of the building across the street as my background, those windows would create the repeating element I’m often seeking to enhance my portraits. It became a tight crop but I think it worked well for this image.

0009_DPT.Opera-DAZ_3279

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 200mm, 1/500 second (HSFS) at F5.6, ISO 200.  Lighting camera right, Canon 600 EX-RT speed-lite directly.

Photo2:  This image was made from the balcony of the Opera House as I looked down at the street below.  While photographing the portrait above, I looked over to the street below and loved the lines I saw in my potential composition. Look at the gentle S-curve line running through the scene just to the right of the bride.  The row of traffic barriers across the top of the image served to frame out the top part of the composition. The street lamp offered a nice visual balance to the rest of the scene.

All I had to do was light my subject.  That was accomplished by having my assistant, Roland in this case, bring the light in from camera right.  I got the direction of light I wanted without having to settle for the less dramatic/flat natural light.  I love how the image turned out.

0010_DPT.Opera-DAZ_3310

Roland in shotDAZNOTE:  Roland was pretty close to the subject to get the intensity of light on the subject that I wanted.  In fact, he was in the image.  But, like I’ve said many, many times, when you need to photograph your assistant to capture the lighting needed to enhance your image, be sure they are in a “Photoshop-able” area of the scene so you can simply remove them in post ;~)

Camera specs: Canon 5D Mark III fitted with my Tamron 28-300mm VC lens at 50mm, 1/800 second (HSFS) at F5.6, ISO 200.  Lighting camera right with Canon 600 EX-RT speed-lite directly.

Photo 3: On our way back into the Opera House, LaDawn suggested that I make an image at the main entrance and try to pick up the beautiful ceiling detail.  I thought it was a great idea and we set up the shot. 

The problem was that the ambient light was so bright, we were going to lose the ceiling detail in the exposure.  I decided to not only backlight the bride, but light the ceiling as well with a third Canon 600 EX-RT speed-lite directed toward the ceiling. I got the exact result I wanted.

0011_DPT.Opera-DAZ_3329

Camera specs: Canon 5D Mark III fitted with my Sigma 12 – 24 mm lens at 22mm, 1/200 second at F5.6, ISO 200.  Lighting camera right with Canon 600 EX-RT speed-lite through my Zumbrella. Additional backlighting supplied by a second Canon speed-light and a third speed-light on the ground, behind the bride pointed towards the domed ceiling above the bride.

Photos 4, 5, and 6: Next we headed back into the Opera House.  Everyone else was hanging out on the second floor of the building which gave me complete reign on the first floor and what spectacular sights awaited us! Just look at the architecture and detail of the mosaic tile work throughout the floors, walls, and ceiling – unbelievable!!!

Lighting was basically the same for each of these three images – one on the bride, one for backlighting, and one on the ceiling behind and above the bride.  The only real change was in camera position or lens zoom setting to modify the composition and/or crop of the images. Pretty cool, don’t you think?

0012_DPT.Opera-DAZ_3335

0014_DPT.Opera-DAZ_3349

0015_DPT.Opera-DAZ_3359

Camera specs: Canon 5D Mark III fitted with my Sigma 12–24 mm lens at 24mm, 20mm, and 22mm respectably, 1/20 second at F5.6, ISO 1600.  Lighting camera left in the first image, then moved my assistant to camera right with Canon 600 EX-RT speed-lite through my Zumbrella for the second and third images. Additional backlighting supplied by a second Canon speed-light positioned on the floor about 12 feet behind the bride. A third speed-light behind the bride illuminating the ceiling behind and above her.

Photos 7 and 8: As I continued to explore the surrounds I discovered a great vantage point with me laying on the ground shooting up to the ceilings of the other floor levels above me.  WOW! What a site.  It was tricky to get the bride in a somewhat comfortable position – I was in “pain” by the way laying on my back in a half “sit-up” position to frame the bride up the way I wanted.  Who says wedding photograph can’t improve your abs :~)

Again, exposure and lighting was pretty much the same as with the previous three images with the addition of that third light illuminating the ceiling above and behind the bride.

0017_DPT.Opera-DAZ_3378

0016_DPT.Opera-DAZ_3368

Camera specs: Canon 5D Mark III fitted with my Sigma 12–24 mm lens at 22mm, and 13mm respectably, 1/20 and 1/30 second respectably at F5.6, ISO 1600.  Lighting camera right for the first image then camera left for the second image using a  Canon 600 EX-RT speed-lite through my Zumbrella. Additional backlighting supplied by a second Canon speed-light positioned on the floor behind the bride. And a third behind the bride illuminating the ceiling behind and above her.

There you have it, a great set of images from a super fun filled day of shooting at the Bulgarian State Opera House.  Boy, I can’t wait to go back – maybe next year :~)

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Hey gang, that’s going to wrap it for today.  I’ve got one more day of shooting to share with you so I hope you’ll check back.  It’s another fine set of images I think you’ll enjoy.

Have a great one and I’ll see you soon,

David

Friday, September 20, 2013

My Budapest Master Class: A Day At The Opera, Part 1

Good Morning Everybody,

We continued to have our photographic socks knocked off with the magnificent locations set up for us by Jeff and Roland. Thursday’s shoot, I think, was the “pièce de résistance” for the week!

0001_DPT.Opera-DAZ_2314On Thursday morning it was off to an on-location photographic shoot at the VERY impressive Hungarian State Opera House for our morning session. Built in 1875, the richly-decorated building is considered one of the architect’s masterpieces and one of the finest opera houses in all of Europe and the largest in all of Hungary. Built in the neo-Renaissance style, with it’s gilded vaulted ceilings covered in gorgeous murals, it’s marble columns, chandeliers, floor to ceiling mirrors,  vast sweeping staircase, rich velvet draping's, arches, arches, arches……truly a spectacular location.

0018_DPT.Opera-DAZ_3406The auditorium was being used for rehearsal for the upcoming production of Falstaff and was off limits for any interruptions. We were allowed a sneak peek at the end of our 4 hour session. The auditorium was built in a horse-shoe shape, holds 1261 seats, impressive box seats, spectacular staging and is said to have the third best acoustics in all of Europe. It was a first for the Opera House to “rent” the location for a photographic event and we extend to Jeff and Roland for making the arrangements a VERY BIG thanks.

A Day At The Opera: What a Shoot!

I’ve included several photos I want to share with you today.  I’ve given a brief recap of each image, what I was seeing in my mind’s eye and how I put the image together. Please enjoy the series.

Photo 1: This first image was really a lesson in composition. Look at the marble staircase.  Notice how I position the subject, Gary, at the intersection or where “X” marks the spot.  My rule: Wherever the eye is being led in the image – place your subject there.

0002_DPT.Opera-DAZ_3102

Camera specs: Canon 5D Mark III fitted with my Canon 24-105mm IS lens at 40mm, 1/50 second at F5.6 ISO 3200.  Lighting camera right, Canon 600 EX-RT speed-lite through my Zumbrella.

Photo2: This image below looks like it was taken pretty much like the first image but, in fact, there was a BIG difference in the lighting. The light was brought in from camera right obviously but not through my Zumbrella.  There just was no room for it in this tight corner space of the opera house.  I asked my assistant to remove the Zumbrella, flip the speed-light 180 degrees and bounce the light off the beige marbled wall.  Since the light is still coming from the same direction, the lighting pattern is still the same as if I used my trusty Zumbrella.

0003_DPT.Opera-DAZ_3126

Camera specs: Canon 5D Mark III fitted with my Canon 24-105mm IS lens at 40mm, 1/80 second at F5.6 ISO 3200.  Lighting camera right, Canon 600 EX-RT speed-lite bounced off the wall camera right.

Photo 3:  Set up for this image is pretty much like the first image with the minor exception that I wanted the bride’s head to be positioned at the corner of the two intersecting arches you see behind her.  I also added a second speed-light behind her dress to give a bit more background separation or backlighting to the bride.  I really love the final results in this image.

0004_DPT.Opera-DAZ_3130

Camera specs: Canon 5D Mark III fitted with my Sigma 12 – 24 mm lens at 24mm, 1/80 second at F5.6 ISO 3200.  Lighting camera left, Canon 600 EX-RT speed-lite through my Zumbrella.  A second Canon 600 EX-RT speed-lite is place on the floor behind the bride about 10 feet away pointing up at her shoulder blades.

Photo 4: This image was made seconds before the above image.  I simply moved a bit closer to the bride and re-positioned the bride’s face in the arch you see behind her.  A nice close up, don’t you think?

0005_DPT.Opera-DAZ_3140

Camera specs: Canon 5D Mark III fitted with my Sigma 12 – 24 mm lens at 24mm, 1/80 second at F5.6 ISO 3200.  Lighting camera left, Canon 600 EX-RT speed-lite through my Zumbrella.

Photo 5: Here is another image where I’m playing around with subject placement in the space of the opera’s magnificent staircase.  This time I wanted to see more of the grandeur of staircase.  I carefully positioned the bride’s head with in the interior frame element, or better said, in front of the window you see behind her.

0006_DPT.Opera-DAZ_3175

Camera specs: Canon 5D Mark III fitted with my Sigma 12 – 24 mm lens at 13mm, 1/80 second at F5.6 ISO 1600.  Lighting camera left, Canon 600 EX-RT speed-lite through my Zumbrella.  A second Canon 600 EX-RT speed-lite is place on the floor behind the bride about 10 feet away pointing up at her shoulder blades and dialed down from the earlier image above.

Photo 6:  In this next image I took the top position on the staircase and shot down the steps.  The composition is quite different that in all the previous images yet still strikingly impressive!  To add to the impressive scale of the space, I used my Canon fish to bring in as much of the grandeur of the surrounds as possible.  I subsequently did a giant lens correction in Lightroom 5 to remove any hint of the fisheye effect. beer koozie

Lighting-wise: Due to all the highly reflective marble of the staircase railing I really needed to control the light on the railing camera right.  Using my Zumbrella would have heavily illuminated the rail.  I reduced the “cone of light” coming out of my flash by placing a black “beer koozie” over the flash head to give me a very restricted “cone of light” falling on the subject but not on the marble railing. Pretty  easy, cheap and cool solution, I think ;~)

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Camera specs: Canon 5D Mark III fitted with my Canon 8-15 Fisheye at 15mm, 1/40 second at F6.3 ISO 1600.  Lighting camera right, Canon 600 EX-RT speed-lite through my beer koozie.  A second Canon 600 EX-RT speed-lite is place on the floor behind the bride and groom about 10 feet away pointing up at their shoulder blades.

Photo 7: This is a signature “Ziser” shot, as LaDawn likes to call it!  I take this photograph at every wedding – but not necessarily is such spectacular locations.  Wide lens, add some backlighting and shoot away. This image was again captured using the Canon 8-15 Fisheye but correcting the “fish” effect in Lightroom 5 certainly added to the dramatics. If this had been an actual couple the next image would have been the couple sharing a kiss and then sometimes I even have the groom dip the bride, all in the same location and using the same lighting.

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Camera specs: Canon 5D Mark III fitted with my Canon 8-15 Fisheye at 15mm, 1/80 second at F6.3 ISO 2500.  Lighting from behind supplied by my Canon 600 EX-RT speed-lite placed on the floor behind the bride and groom about 10 feet away pointing up at their shoulder blades.

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Hey gang, I’ve still got about another half dozen images to show you but time is running short on this end so I’ll try to get them up over the weekend.

Have a wonderful weekend in what ever part of the world you’re reading this and I’ll see you again soon.

David

 

Saturday, September 07, 2013

Photoshop World Wrap Up – Hot Times In The City!

Good Afternoon Everybody,

We’re at the Las Vegas Airport getting ready to head home after a wonderful Photoshop World this past several days. It's been a busy week and one heck of a show, not to mention, a great time as well.

DAZ-LD MJ1We arrived Monday and took in the brand new Michael Jackson show “ONE” by Cirque du Soleil Monday evening.  LaDawn and I thought it’s one of the best shows playing in Las Vegas.  So did  a whole lot of other attendees who were on their feet at the end of the show. 

We kicked off the week on Tuesday with my Wedding Shootout pre-con class and things went really, really well. We had a wonderful group of photographers in the class and I was able to capture some great images. I'll share a couple with you throughout today’s post. 

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One of the day’s highlights was the fact that my good buddy and renowned photographer, Vincent Versace and his friend Mickey were part of the class.  It seems Vincent is sometimes asked by his clients if he’ll photograph the occasional wedding hence his attendance in the class. It was great to have him be part of the group and he was a great asset and help to keep everything running smoothly. Hi FIVES to Vinney and Mickey!

0006_PSWLV13-DAZ_1939In addition to my pre-conference class I also had two platform programs to present at Photoshop World this year. The first was How To Make Your Lighting Exciting With Speed-lighting and the second presentation was Lightroom 5 for the Wedding and Portrait Photographer. Once again the response was very positive to these two new programs.

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Then it was on to the booth demos. I agreed to do one for Peachpit, my publisher, and another for my good friends at Westcott.  The Westcott booth shooting area was about ten deep with about a thousand photographers photographing the beautiful scantly -clad model.  I was a little nervous kicking her off the stage – I thought the crowd might mutiny on me ;~) 

Westcott booth PSWLV

I’m thinking how am I going to compete with these beautiful girls in this booth? Anyway, I took the stage as beautiful Chelsea stepped aside and gave a half-hour lighting demonstration to the attendees. The curious thing was nobody left my presentation even though the pretty girl had wondered off ;~)

I batted cleanup at Peachpit taking the last time slot on the last day of the show. Not a favorite for any speaker but the people that were in attendance sure seems to enjoy the presentation.

I Get All This For Free?!!!

The highlight of the show for all the attendees of course was receiving Adobe’s Creative Cloud, a $600 value, FREE for one year! Basically if you attended Photoshop World this year you basically attended free because of Adobe’s generous offer.

PS LR 9.99In addition to that great news Adobe made another jaw-dropping announcement during the opening ceremonies. They announced that Photoshop and Lightroom, 20 gigs a storage in the cloud, and access to your very own Behance gallery online - all this for only $9.99 a month [link]. It sure looks like of a steal of a deal for me. It’s particularly a great deal for us photographers whole don’t need the full compliment of programs available in the for suite version.  You can get more details right here.

NIK Collection FreeWait, there's still more. Before the show ended Google makes an exciting announcement that in addition to everyone in attendance receiving Adobe Creative Cloud from Adobe they were going to throw in NIK's Complete Software Suite for FREE for all the attendees. What a great show to be at this year. Not only was Photoshop the biggest show ever, it also offered a ton of value, great programs, terrific parties, and was a great place to reunite with old friends and indeed make several new friends. Everyone came home a winner!!

As LaDawn and I like to say, “It's our hardest working convention of the year but it's also the most fun.”

Next year Photoshop World is going to be held in Atlanta from April 8-10, 2014[link]. I'm looking forward to being there.  I hope you mark your calendars now and plan to join us in Atlanta, GA. next April.

PhotoPro Expo 2014 Short BannerDAZNOTE: I asked the NIK Software folks at Google if they would do the same for our next year’s 4 day photographic blast, PhotoPro Expo 2014 [link].  They said YES!!! So, if you hurry over to PhotoPro Expo [link], you can register for the best price ever – only $139 – and get NIK’s Software Suite FREE!!! Heck, that’s like saving $10 bucks to buy the suite alone. An AMAZING deal not to be missed!!

On To Budapest Tomorrow!

Budapest 222pxWell, it's a busy time for LaDawn and I tonight. We get home this evening at around 8:00 pm, unpack, hit the sack, wake up early tomorrow, repack, and  head for Budapest, Hungary at 5:00 pm.

That's not much time home to get reorganized, repacked, and get ready for the next adventure but we are really looking forward to the trip to Budapest and my class with good friend and great photographer, Clay Blackmore. I'll keep you posted a couple times over the next week on what’s going on.

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On that note gang, I'm out of here. I hope everybody has a wonderful weekend and I'll see you again next week hailing from Budapest, Hungary.

See you then,

David